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MARKS & SIGNS OVER THE PALM (3) हथेली पर चिन्ह :: A TREATISE ON PALMISTRY (35) हस्तरेखा शास्त्र

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MARKS & SIGNS OVER THE PALM (3)  हथेली पर चिन्ह (KARTIKEY SYSTEM-कार्तिकेय पद्धति) A TREATISE ON PALMISTRY (35) हस्तरेखा शास्त्र  CONCEPTS & EXTRACTS IN HINDUISM By :: Pt. Santosh Bhardwaj dharmvidya.wordpress.com hindutv.wordpress.com santoshhastrekhashastr.wordpress.com  bhagwatkathamrat.wordpress.com jagatgurusantosh.wordpress.com   santoshkipathshala.blogspot.com santoshsuvichar.blogspot.com santoshkathasagar.blogspot.com bhartiyshiksha.blogspot.com santoshhindukosh.blogspot.com ॐ गं गणपतये नम:। अक्षरं परमं ब्रह्म ज्योतीरूपं सनातनम्। निराकारं स्वेच्छामयमनन्तजम्॥ कर्मण्येवाधिकारस्ते मा फलेषु कदाचन। मा कर्मफलहेतुर्भुर्मा ते संगोऽस्त्वकर्मणि [श्रीमद्भगवद्गीता 2.47] Bhagwan Kartikey listed the bad and good, auspicious and  inauspicious omens of the human body and presented them before his father Bhagwan Shiv, who found faults with them and asked Samudr-Ocean to rewrite the treatise. Later segment of it which deals purely with the body marks and their impact over the human b

MARKS & SIGNS OVER THE PALM (2) हथेली पर चिन्ह :: (Ch. 34)

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MARKS & SIGNS OVER THE PALM (2)  हथेली पर चिन्ह A TREATISE ON PALMISTRY (34) संतोष हस्तरेखा शास्त्र  CONCEPTS & EXTRACTS IN HINDUISM  By :: Pt. Santosh  Bhardwaj dharmvidya.wordpress.com hindutv.wordpress.com santoshhastrekhashastr.wordpress.com bhagwatkathamrat.wordpress.com jagatgurusantosh.wordpress.com santoshkipathshala.blogspot.com santoshsuvichar.blogspot.com santoshkathasagar.blogspot.com bhartiyshiksha.blogspot.com santoshhindukosh.blogspot.com palmistryenclopedia.blogspot.com santoshvedshakti.blogspot.com ॐ गं गणपतये नम:। अक्षरं परमं ब्रह्म ज्योतीरूपं सनातनम्। गुणातीतं नीराकारं  स्वेच्छामयमनन्तजम्॥ कर्मण्येवाधिकारस्ते मा फलेषु कदाचन। मा कर्मफलहेतुर्भुर्मा ते संगोऽस्त्वकर्मणि ॥ [श्रीमद्भगवद्गीता 2.47] THE TRIANGLE ::   It's a positive sign. It becomes more significant when it appears as an independent entity-mark, not the figure formed by chance crossing of lines or composed of intersecting lines. It’s a mark of brilliance on the Head Line. Over the Line of